Linda Nochlin’s seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no ‘great women artists’ on its own, corrupted terms. Instead, she dismantled the very concept of ‘greatness’, unravelling the basic assumptions that had centred a male-coded ‘genius’ in the study of art. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art world’s institutions, and rebuilding them anew – in other words, to leap into the unknown.

In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, ‘Thirty Years After’. Written in an era of thriving feminist theory, as well as queer theory, race and postcolonial studies, ‘Thirty Years After’ is a striking reflection on the emergence of a whole new canon.

Author: Linda Nochlin
Hardcover
112 pages
17.6 x 11cm