Iranian-born, Melbourne-based Hoda Afshar (b 1983) is one of Australia’s most innovative and unflinching photomedia artists.

This timely new book will be published in conjunction with a major exhibition on the artist, the first mid-career survey of her work to be held in a public art gallery in Australia.

Through her photographs, Hoda Afshar examines the politics of image-making. Deeply researched yet emotionally sensitive, her bodies of work are a form of activism as much as an artistic inquiry. Afshar is alert to the duplicity of the documentary image – to its imperfect relationship to fact – and signposts this explicitly. Her work forces us to contend with violence and brutality not through blunt imagery but through evocation. She exposes a poetics of empathy and in doing so implicates us all.

Hoda Afshar: A Curve is a Broken Line examines the critical urgency and political imperative of Afshar’s practice but also considers her subversive use of the photographic medium. It addresses the way Afshar complicates our understanding of the photographic image and amplifies both its ethical and emotive impact.

Richly illustrated, the book features both photography and film from her bodies of work from 2004 to 2023. Amassed together for the first time, Afshar’s works offer a poignant reminder of the power of images and their coercive potential.

The book also includes new writing on the artist by curator and editor Isobel Parker Philip and seven commissioned authors who bring both critical insights into Afshar’s practice as well as creative and experimental responses to her work.

Edited by Isobel Parker Philip
with essays by Behrouz Boochani, Taous Dahmani, Shahram Khosravi, Isobel Parker Philip, Sarah Sentilles and Snack Syndicate (Andrew Brooks and Astrid Lorange). Creative responses from Elyas Alavi and Hala Alyan
Paperback
256 pages
29 x 22 cm